ayano shigematsu
concert
Versuch einer neuen “Barockviolinschule”
Sun 13th Apr. 2025 at 19:oo
Auferstehungskirche, Freiburg im Breisgau
Kappler Str. 25, 79117 Freiburg im Breisgau
world premiere of the pieces for
Baroque violin and chamber music for historical instruments by
So-Jeong Yoo
Sebastián Zuleta
Rino Murakami
Baroque violin: Ayano Shigematsu
Recorder: Alessandra Riudalbas Wickers
Baroque cello: Jia-Hua Chu
Harpsichord: Gabriel Henschen
The commissioned pieces for this evening, crafted for the rich-sounding Baroque violin and other historical instruments, create a profound connection between past and present, offering an unforgettable musical experience that transcends time.
Programm
Georg Philipp Telemann
Fantasie A-Dur TWV 40:18
Sebastián Zuleta
GARABATO for intervened Baroque violin (2025)
So-Jeong Yoo
Wingcut for Barock Violin and 2ch Electronics (2025)
Rino Murakami
Kurioser Kuckuck for Baroque ensemble (2024-25)
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Sebastián Zuleta
GARABATO for intervened Baroque violin (2025)
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So-Jeong Yoo
Wingcut for Baroque Violin and 2ch Electronics (2025)
Faded feelings. Cut-off words. A heart that can’t fly.
And yet, somehow, it still finds its way back to something.
Wingcut captures the subtle tremor of emotion that moves even through apathy and resignation.
A piece for the moments when you say something knowing it might still walk away.
Rino Murakami
Kurioser Kuckuck for Baroque ensemble
(2024-25)
Bringer of spring, bird of love. Brood parasitism (egg-laying), unrighteous husband. Fool. Psychotic. ...
Overlaying cuckoo’s transforming images are musical materials in the piece Kurioser Kuckuck drawn from the cuckoo clock, such as the tick-tack sound and vigorous rotation (“kuru-kuru”) of its second hand, the “cuckoo motif”, descending third, C-A for example, and the sound of wood and the air, breathing, and so on -
In which, the images of cuckoo transits dizzily between three dimensions: the cuckoo of the cuckoo clock, the cuckoo as a motif in classical musical idioms, and the cuckoo as an actual living bird.
And yet - will the love song be still faintly perceived in between?
Mit Unterstützung von dem Studio für Elektronische Musik des Instituts für Neue Musik